Lisa and Daniel’s wedding reception was being held in the Claregalway Hotel in that town just north of Galway city which is well known for, amongst other things of course, being a bit of a traffic black spot. The hotel has no grounds other than a fairly extensive car park, and so there was half a plan to stop off en route from the church in Belclare at Claregalway Abbey, an old ruin which sits alongside the hotel and is popular with couples having wedding receptions at the hotel as a location for photographs. It being half a plan, myself and Lisa discussed it on the morning when I reached her house and it turned out that she didn’t have much of an inclination to stop there, and neither did I. Her motivation was really just to get the hotel asap, which is understandable. Mine was, having visited the abbey that morning and observed that there was a lot of graveyard to be walked through before getting anywhere photogenic, that it wasn’t ideally suited to the task. Furthermore, with light that wasn’t what you’d call stunning and a sky that was drab, what photos it did offer up might well have proven to be a bit, well, bland. So we ditched the idea before anyone was even dressed that morning and planned instead to head straight for the hotel and do all the bridal party photography indoors. Logistically that made things easy. In terms of light, I would be entirely in control. But in terms of locations, I was at the mercy of what the hotel had to offer. Thankfully, the hotel came up trumps, and we were quickly and easily able to dispense with the formals, getting some unusual perspectives along the way, and Lisa and Daniel got to mingle with their guests. Win win! Here’s just a sample of what the hotel had to offer photographically speaking.
It’s probably not wise to confess to having favourites in this game, but I can say that on a short list of my favourite weddings that I’ve photographed, Lisa and Daniel’s wedding would most certainly feature. What’s funny is that in some ways it was one of those that could have been a difficult gig – it rained, it was late in the year with the day short and the light levels low, their hotel didn’t have any grounds whatsoever, and wasn’t of the castle or country house variety that often photograph well indoors. And the family home where Lisa was getting ready is so in the middle of nowhere that there was a real chance of me getting lost in the back roads of Galway never to emerge! So just even the photographs going smoothly would make me happy, but Lisa and Daniel’s wedding had much more going for it than just the photos going smoothly. It had style, attention to detail, two lovely families, the prettiest bride you could imagine, lots of red, and the coolest wedding car vehicle ever. And the best part? This was one of three occasions over the last five months in which I would get to photograph many of the people involved.
In my experience all weddings are different – even those that follow the usual “template” of church, drinks, dinner, dancing – but Karen and Brian’s wedding last September at Kilshane House was even more different to any other wedding that I photographed all year. Specifically, it was photographically different, in that they wanted what most couples don’t want, or to be more correct they didn’t want what most couples do want. The photos will hopefully explain, but basically Karen and Brian didn’t want any posed photos at all. Or at least hardly any. Their “list” if you could call it that, asked for three things. A nice photo of the two of them, a nice photo of them with Karen’s family, and a nice photo of them with Brian’s family. After that, I had carte blanche, with the main request being to document the day, create a set of images that would tell the story of the day, and photograph as many of the guests as possible just being, well, guests. In short, the kind of wedding photography I absolutely love not only doing, but seeing too. As part of the day I did capture the usual details – dress, shoes, flowers and so on – but mainly I photographed the people. And so, in this post I’m going to show you some (lots!) of my favourite images of the people who made Karen and Brian’s wedding unique to them, including, of course the happy couple themselves. And in the spirit of not intervening and not posing and not “creating” images that was my mantra on the day, I’m going to let these photos speak for themselves.
I had worried a little about how much time a trip to Inchydoney beach would take on our way from Barryroe to Dunmore House, given how nice a day it was and how busy that particular beach can be, but – in the spirit of everything going right on that particular day – I needn’t have worried. We got in and out in record time and the sun even obliged the photographs by popping behind a cloud to give some lovely soft light while we were there. Before we got there, of course, there was the minor issue “I do”. They did.
There was a lot to look forward to with Elaine and John’s wedding last September. For a start, they chose a photographer’s dream of a church to get married in. Spacious, beautiful, bright. Just look at it! Then again, they got married in West Cork, which is itself spacious and beautiful on even the worst days and which, on this happy sunny day in September, was bright too – if a little windy. Barryroe Church is nestled on a hill, meaning we had to take shelter around the side for the family photos after the ceremony, but its stone walls made for a nice backdrop all the same, and the wind didn’t claim much else by the way of casualties, so all in all we got about as lucky with the weather as you could hope to. Photographing any wedding in West Cork is a treat, but especially so on this occasion as Elaine and John’s reception was bringing me back to the place where I myself celebrated my wedding almost 5 years earlier – the beautiful, highly recommended, Dunmore House. Not only that, but if all went to plan we would get to stop off at the beach en route from Barryroe to Dunmore. As I said – a lot to look forward to. And it delivered on every count.
One of the most stress free ways to have a wedding (at least for those opting for a civil ceremony) is to book a venue that allows you have your ceremony and reception in the same place. It makes for a more relaxed afternoon, more time spent with guests and, if the venue is Brook Lodge at least, a quick and easy post-ceremony photo shoot in beautiful surroundings. If you go for the triple whammy of also getting ready at that venue, your photographer gets a good opportunity to scout in the morning which, if its their first time there, can be beneficial for all concerned also. Given that Heather and Darren went down this road at Brook Lodge, I really couldn’t go wrong.
Aileen and Karol had asked me to stay to photograph their speeches and first dance, and if I am staying at a wedding till that point I do like, if circumstances allow for it, to offer the couple the opportunity to have a night time portrait taken, typically outside their venue, as something a little different from the rest of the wedding photos. By “if circumstances allow for it”, I mean a couple of things – primarily that the couple themselves aren’t sick of being photographed by that point, which is something, as photographer, you have to continually judge and react to (usually by shooting something else, and there’s always something else to shoot at a wedding); but also the venue having a suitable place for the shot, the weather being accommodating, and there being downtime during which the shot can be taken. That last one is usually the least of my concerns. I have yet to meet a wedding band that can set up their gear faster than I can set up a flash-lit outdoor portrait and a first dance off-camera lighting setup. When I’ve done this type of photo in the past I’ve played it safe. One light for the couple, ambient via control of shutter speed for the venue. If I’ve been feeling adventurous I might double up and use two reflective umbrellas for the couple, cross lighting them for even (and safe) light. For Aileen and Karol’s wedding I pushed myself further for the shot. For the photographers amongst you, I’ll break that down further in an upcoming post (though feel free to knock yourself out figuring out the lighting from the shot). For the rest of you, I think you’ll agree the shot worked well – I know it was one of Aileen and Karol’s absolute favourites, and it is one of my favourite wedding shots too. There were other favourites from the second half of the day though, for both them and me.
Picture the scene. The neighbours from all along the road have gathered outside the bride’s family home in eager anticipation of a first glimpse at her dress as she departs for the church. It’s one of those neighbourhoods where people know each other, and you can sense the buzz of excitement as they chatter on the road. They’ve been there for close to an hour, which is 50 minutes longer than they needed to be, but no one wants to miss the first view of bride and she makes her way to the wedding car parked outside the house. It’s getting close to the ceremony time. She’ll be out any minute now. The next door neighbours pop out to say that she was having some photos taken out in the back garden and looks stunning. That just serves to heighten the levels of anticipation even further. Suddenly there’s movement. The front door opens a crack, and then, slowly, a little more. All eyes turn to the person who’s just stepped out the door. And there’s a barely audible, but still detectable, sense of… what? Admiration? No. Excitement? No not that either. Something more like… disappointment. It’s a tense moment. And then, breaking the tension, one of the neighbours pipes up: “You’re only gorgeous, love” in a Cork accent lifted straight from those ads that find Cork accents funny. ”Thanks”, I say, as I scarper, embarrassed, to my car to get to the church before the bride does, the laughter of the neighbours drowned out only when I close the car door. I get my revenge though – I turn and snap a quick photo before I go. And they’re right – I do look good. So went one of the many moments of laughter on Aileen and Karol’s wedding day, and that comment from that unidentified neighbour kept me laughing to myself all the way to the beautiful church in Glounthane a few miles from Cork city where they were to be married. But before all of that, there were some preparations to be done.
One thing a lot of brides and grooms fail to realise until their wedding is how little time the two of them will have alone on their wedding day itself. In the morning they are usually separated, and once they get to see each other there’s a wedding ceremony to go through with, followed by a receiving line of congratulations, followed – usually – by formal family photos, perhaps bridal party photos, a drinks reception where there are guests to talk to, and then dinner, speeches and dancing. In fact there are usually only two opportunities for them to have some time away from everyone else – in the car between the ceremony and the reception, and while all their guests are taking their place for dinner. The former is still in the presence of a driver, and so the latter is, to my mind at least, a crucial part of the day and one where I try to leave the couple be as much as is possible. And so it went for Helen and James’ wedding day where, as they finally got some time alone, I stayed in the function room where guests were taking their seats for dinner, shooting some candids as I did so. But I looked back out the doorway through another doorway across the hall of Innishannon House Hotel in beautiful west Cork and spotted them enjoying that time and sharing a laugh, and I took the photograph you see above. It is completely unposed, unplanned and a lucky split-second capture, but it is one of my favourite photos of the year. It wasn’t the only photo I took during the afternoon that I liked, though. Here are a few more.
Every wedding is different, and every bride and groom has different requirements of their photographer. For instance Helen and James, who got married on beautiful June afternoon down in Cork, didn’t want any photographs taken during the prayers, vows or exchange of rings in their service. They wanted those important moments to be remembered by those who were there as they saw them, and didn’t want the click of a camera shutter, or the presence of a photographer to be a distraction. That wasn’t the most significant way in which Helen and James’ wedding ceremony differed from others, though. No… the most significant difference was the bit where Helen moved to the side of the church during the service and played the drums during one of the pieces of music played by the band made up of other members of the church. And I must admit that I was glad when Helen qualified her request for no photographs during the service with the phrase “but we do want a photo of me playing the drums”. Because it would have been absolute torture as a photographer to sit and watch a bride play the drums during her wedding service and not take a photo. Because that’s not something you see very often! And it was just one of many light hearted moments on a day that was as enjoyable as it was significant.


















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