More than perhaps any other category of hobbyist or indeed professional, a photographer is, if it’s not too much of a generalisation, a sucker for gear. There’s always another lens to buy, or a better camera, a more powerful flash, a new light modifier, a more creative filter. It’s all too easy (and too expensive) to get caught in the upgrade trap of constantly moving on to the next best thing, which of course soon becomes outdated by the next next best thing. It’s a trap most photographers fall into at some stage, but it tends to be a particular weakness of the beginner photographer. There may be two reasons for this. Either the beginner thinks that a better camera will make them a better photographer (or a better lens/flash/insert accessory of choice here), or the beginner photographer doesn’t know what they should and shouldn’t buy, what they will and won’t need, and plays it safe by acquiring a little bit of everything. A better approach is to understand what you need from your gear to undertake the type of photography you are interested in, and to then map out a plan for bits and pieces that might prove useful to your photography in the future. But always the best starting point is not the newest camera in the shops, but the camera you already own.

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My blog post a few days ago about the new iPad was just part of the story, and really came about because of my aging Macbook. I outlined at the start of this year that while a new camera might not be in my sights for this year, an upgrade of the laptop was likely to be required. The obvious choice was to replace it with another laptop, and seeing as my workflow revolves around Aperture, which is Mac-only software, another laptop would mean a Macbook Air or a Macbook Pro. Or would it?

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Just when I’ve set out all the perfectly rational arguments as to why the Nikon D800 is not the camera for me, this happens:

Nikon D800 Receives the Highest Sensor Score Ever Given by DxOMark

Feck it, anyway.

Updated 26/3/12:

As if to try to reassure me that my original thoughts were indeed correct, Nikon has just pulled the most cynical of stunts regarding the D800 and D4 pricing, increasing the prices of both substantially and citing a “pricing error” as the reason for doing so.  Nothing to do with the Canon 5D Mark III (which might be seen as the competitor to the D800) being launched and selling well for substantially more than what they had been offering the D800 for, I’m sure…

Nikon admits D800 and D4 price error

So it’s here. The new iPad went on sale in Ireland last Friday (having hit the shelves in the US and the UK a couple of weeks ago. They call it the new iPad as opposed to the iPad 3 for some reason, but it is, to my mind at least, a clear generation ahead of the “old” iPad – the iPad 2 (which is still on sale for about €80 cheaper than it was. This third generation of this perfect example of a product that no one needs, but many want, is actually the first iPad that I’ve actually desired, and the first that I can see fitting into my workflow for photography quite nicely. So unlike the Nikon D800, which I waited a long time to see, and then found I wasn’t really that interested in when it arrived, this iPad, that I had no real interest in ahead of its announcement, has jumped up high on my wish list and has set me thinking about how, as a photographer, I might use it.

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It’s a few weeks now since Nikon did what one half (ish) of the photography world has been waiting for them to do for about two years now – announce the successor to the excellent Nikon D700 – by finally making the Nikon D800 a reality. And it boasts an impressive list of features, the top of which is a full frame sensor with an unprecedented 36 million pixels – three times more than the D700. Add in full HD video, dual card slots, improved low light autofocus performance, a new viewfinder, and a faster image processor and you ask yourself – what’s not to like? That was my initial reaction, but then I thought about it and realised the one thing that bothers me about it is probably the one thing that Nikon are hoping will lure me into making a purchase: that 36 Megapixel sensor. Or more specifically, the logistics of dealing with it after shooting. That, and the fact that it’s actually not a successor to the D700 at all. It’s a whole other type of camera, and possibly one for a whole other type of photographer. Which is why, at the moment, I’m don’t think I’ll be making the plunge. Of course, by the time I’ve finished writing this post, that could change.

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